Now don't get me wrong... it wasn't a bad model. It looked good, but not competition good. I had never seen competitions models before Chicago last year, but I had seen enough photos on Cool Mini Or Not to know that my average model was not that level. I think he was expecting me to say that he had a chance for a trophy with that model. It was a good looking gaming model, but really had no chance in competition. I tried to offer helpful suggestions, mostly my rules of competitive painting. Here they are:
- It has to look intentional - Every part of the model has to look like you intended it to look exactly as it looks. No part should look like you arrived there by accident, even if the end result looks cool.
- It's not good enough - No matter what you are working on, look it over again and again to see what can be improved. Never be satisfied, but instead keep improving everything a little at a time.
- If you can't do it well, don't do it - it may be a cool idea, but if you can't satisfy rule #1, then you shouldn't be doing it. This is sort of (very sort of) a Jeet Kun Do approach to painting... play to your strengths. If you're a speed skater, don't compete in the pole vault. If there's a super cool technique that you are dying to try, use it on some other models until you are good at it and then use it on a competition model.
I had a few models on me, so I showed my friend what I had been working on. What I got was what I gave, and that's only fair. I know the models I'm working on aren't competition models. Okay, one is a competition model but it's really only just started. I got a detailed list of what he didn't like about the model. At least one of the problems he pointed out had escaped my attention, so I'm glad he showed me. If we both walk away from yesterday better painters, then it was a good day.
I took the time to win a LotR painting competition while I was there. The only other guy to compete had to use store brushes, so it wasn't exactly an even race. Gotta give him credit for competing without his tools. Chutzpah!
So here's the dilemma for me. I'm a "pretty good" painter. Not a great painter. Most of the people who frequent the local shop are mediocre painters. A few of them just enjoy painting, but some of them want to be really good at it. They seem to turn to me for feedback on their minis, but they only want to hear how great they are. Most of the time I oblige and just tell them what I like about a particular model. Sometimes, like yesterday, I give real critique. It's seldom well received. When I met Tim Lison he not only told me what he liked about my model but what he didn't like about it. The didn't like parts were far more helpful. I didn't feel like Tim's comments were attacks or insults. Either I need to learn how to deliver critique as well as Tim or just forgo giving constructive comments altogether. "Yeah, looks great! You should so enter that into Golden Demon!" I don't know... I have a hard time saying it if I don't mean it.





















